It only just dawned on me that it was a year ago this weekend that I was getting ready to head to Dublin, where I would be based to head to Slane to see Oasis in concert.

It was my 5th Oasis concert, having previously seen them at Lansdowne Road (2000), The Odyssey (2002, 2008) and T In The Park (2002)

In the summer of 2002, I was working part-time in a bar, and won an internal staff competition for tickets to T In The Park.

I spent a day with colleagues, frantically trying to get shifts covered and buses arranged at three days notice.

Oasis are the sort of band you go to this much trouble to see.

I love Oasis. I mean, I love Oasis. I have their entire back catalogue of Singles and Albums.

I got into them, like everyone else did, in the mid 1990s. Without having a disposable income due to being in school, I would usually wait until my brother was out of the house, to sneak into his room to listen to his Oasis CDs.

By my 15th birthday, he had moved out, and when I got money for my birthday, I was straight into town to get my own copies of ‘Definately Maybe‘ and ‘(What’s The Story) Morning Glory?‘.

A thrill you can’t get on itunes is heading home from a CD shop, desperately rushing to get home to listen to your purchase.

That Christmas, I asked santa really nicely and got a copy of ‘Be Here Now‘ and ‘The Masterplan‘ to complete the set.

‘The Masterplan’, was an album compiled of B-sides. B-side is a bit of an insulting term in music, implying that a song is only there to fill up space on a CD so that consumers can’t complain about not getting enough siongs when purchasing a single. Not with Oasis.

That’s the beauty of Oasis, that every song means something. With most bands, people only ever know their singles, but not Oasis.

In a lot of cases, their B-sides and album tracks are often better than their singles. It’s a prolific ratio most bands can only dream of.

This was proved with the 2006 best of compilation album, ‘Stop The Clocks‘, where big hits were side by side with B-sides and album tracks.

This week, Oasis are due in the album chart with the singles compilation, ‘Time Flies‘, a compilation of all their singles.

It’s only when you look at the songs on it, and not on it, that you realise how good Oasis were.

Back in the late 1990s, when the internet was in it’s infancy as a commercial utility, record companies would leave cards in their CDs for people to fill in with their address, and get sent out postcards of cover art sent out to them in the run-up to a release.

I had sent replies to cards in many CDs, and it was a great excitement to come home from school, and then later tec, on a Friday or Monday (Dependent on how fast Royal Mail were) to see what had arrived through the post, if it was worth buying, and most importantly, as a lover of music art, worth hanging up on the wall.

I would get postcards sent from many varying artists, but it was always the ones from Oasis that generated the most excitement.

An e-mail to your inbox, or a PM on Facebook, will never generate the same excitement.

That wasn’t enough, I also had a vast video collection, taken from MTV and VH1 from the days when they broadcast music programming, of concerts, interviews and documentaries.

A recent documentary on Channel 4 featured voxpops with a wide range of Oasis fans explaining what Oasis means to them.

One of those featured was Juventus striker Alessandro Del Piero. Despite being a world recognised public figure, who has achieved the ultimate accolade for both club and country, playing in the best stadiums in the biggest games, he spoke about his childish excitement at getting to meet Oasis, about his favourite songs, just like any other Oasis fan.

I actually met Alan White, drummer from 1995-2004 when I worked in The Apartment, when he was guesting with Ocean Colour Scene.

It was a quiet Wednesday night, so I took the opportunity to chat to him about music and general randomness.

Though being the focal point of the band, there’s more to Oasis than Liam and Noel, as they have been complimented by two different backing line-ups of Bonehead and Guigsy (1991-1999) and Andy Bell and Gem Archer (1999-2009), without whom, Oasis just wouldn’t function.

Every Oasis album since 2000 has been waited with excitement. For ‘Standing On The Shoulder Of Giants‘, I waited patiently for Woolworths in Bangor Town Centre to open at 9am so I could get my copy as soon as it was on sale.

When ‘Heathen Chemistry‘ came out in 2002, I saw them at The Odyssey the night before it came out, having watched the World Cup final that afternoon.

Despite being a student, and having the day off the part-time work I was at, I was up first thing on the Monday morning to get my copy.

For ‘Don’t Believe The Truth‘ in 2005, the final assignments and exams of my HND were to take a back seat while I got my copy of the new Oasis album.

By the time they released ‘Dig Out Your Soul‘ in 2008, I was working for a media intelligence company in an industrial park with no civilisation nearby.

It was a horrible company to work for. The management team was weak and clueless, often being given the runaround by social retards who only got employed through knowing someone who knew someone.

I spent most of my time having to make endless apologies to customers for mistakes made by other people, and the only mistake I made was to pick up the phone when they rang to complain.

The social retardation of my work colleagues was bad enough, but they insisted on playing Cool FM at full blast, believing that Pink, Taylor Swift and The Script on constant repeat is what people want to listen to.

When you are dealing with people who think the lyrics to Pink songs are deep and meaningful, there’s nothing you really can do.

That one day, I went to Tesco at lunchtime, as I did every lunchtime, because it was the only place nearby, but this day was different, as I purchased a copy of the new Oasis album.

As I sat in the office that afternoon, I kept looking at the new CD I purchased, with the giddy excitement I felt in 1998 when I bought the first two Oasis albums with my birthday money.

My word, doesn’t time fly.

Standing On The Shoulder Of Giants

The Odyssey, 2008 Blog


Slane, 2009 Blog

Odyssey 2008 Photos

Slane 2009 Photos

Lansdown Road 2000 Photos

Odyssey 2008 Flickr

Slane 2009 Flickr

3 thoughts on “TIME FLIES

  1. Pingback: NOEL GALLAGHER’S HIGH FLYING BIRDS LIVE AT THE ODYSSEY 16.2.2012 « Analogue Boy In A Digital World

  2. Pingback: NOEL GALLAGHER’S HIGH FLYING BIRDS – LIVE AT CUSTOM HOUSE SQUARE (BELSONIC) 20.8.2012 « Analogue Boy In A Digital World

  3. I remember the first time going to see Oasis live at Murrayfield in 1999…Me and two mates were in lower 6th and pulled the old “I’m staying with my mate and his family this weekend in their caravan in Ballycastle” and got the boat to Stranraer instead, then train to Edinburgh. . It was an immense gig, with support from Doves and the Happy Mondays. Seen them a good number of times since, but nothing has come close to that first time as a teenager! Saying that, the Noel gig in the Odyssey a few years back was musically excellent, especially with the full choir and brass section! I agree….I Tunes has destroyed what it means to be a fan of a band….not the same thrill as having something tangible in your hand with sleeve notes etc.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s