In life, people’s paths briefly cross before they head in different directions. That happened in February last year when Blossoms (not to be confused with the 90s TV show starring her from The Big Bang Theory) played a gig at The Limelight.
Since that gig, they’ve went on to have endless success. The band who supported them that night, Viola Beach, died the week afterwards in a vehicular accident in Sweden. Blossoms have paid numerous tributes to them throughout that year.
That gig at The Limelight was originally supposed to be in Voodoo, but was moved to The Limelight due to demand. This was six months before the release of their debut album.
Even at this point, the band were no strangers to Belfast, having already supported Paul Weller at Waterfront Hall on his Winter 2015 tour, a concert that I attended. I remember being excited by this news, thinking to myself “That’s the band that does that song Charlemagne that I love”.
In the early months of 2015, they also supported The Charlatans on their UK Tour. Both bands will be supporting The Courteeners at their massive headline gig at Old Trafford in Manchester this summer. The cricket ground, by the way.
And just recently, they’ve been announced as support for The Kooks when they tour Mainland Europe in May.
It isn’t all supporting slots, they’ve even got their own massive headline gig at Castlefield Bowl in July as part of Sounds Of The City, Manchester’s version of Belsonic. Mancsonic, if you will.
Over the last few years, they’ve been bigged up by Tim Burgess on Twitter. They’ve also been bigged up by this blog, making regular appearances on The Friday Five and Charlemagne being declared The Song Of 2015.
As mentioned earlier, Blossoms have had a lot of success over the past twelve months. Take your pick. An NME cover, Number 1 album, an appearance on the New Year’s Eve edition of Top Of The Pops, and a Brit Award nomination.
This week, you may have seen them on The Premier League Show on BBC 2.
This gig would be a brief stop off in Northern Ireland, before three Republic Of Ireland gigs in Galway, Limerick and Dublin. A hand warm-up for their NME tour later this month.
This was my first gig of 2017. I’d hoped it would have been The Pigeon Detectives at HMV last Friday night. It was advertised as an instore gig, but they just showed up, signed a few autographs and then left.
Support for this gig came from a band from Derry called Touts. They were pure Derry every time they opened their mouths. Or rather, they were Peeeyuuurrreee Deeeee-errrrry hai everytime they opened their mouths.
Their singer was a massive Wellend. He probably gets drunk on Football Special.
Fronted by a Wellend from Derry, it was no surprise they were heavily influence by The Jam and The Undertones, with also a nod to The Strypes. If that’s your thing, you’ll probably enjoy these guys.
They clarified that, despite the name, they’re not actually touts. The only informing they’ll do to The Police will be to inform them that they think Sting is a cunt. Probably.
The band appeared on stage, jumping straight into At Most A Kiss before playing favourites from their debut album such as Getaway, Blown Rose and Honey Sweet.
The most obvious observation is that Josh Dewhurst looks like Dimitar Berbatov and Tom Ogden looks like Steve McManaman, but with longer hair. In both cases. Once it is seen, it cannot be unseen.
It’s hard to describe the music of Blossoms. It’s a little bit Disco, a little bit Synth Pop and a little bit Indie, fusing all three to perfection, even managing to do an instrumental cover of Gimme Gimme Gimme by ABBA.
Further covers appeared when Tom Ogden (That’s a proper Greater Manchester name that. Probably related to Hilda) did a solo acoustic session, performing excerps from You’re Georgeous by Babybird and Half The World Away by Oasis.
Before this, Ogden appealed to the crowd for someone who had just been dumped. There were a lot of responses. Eventually, the winning member of the audience was a woman called Orla (Awwwwwww, poor Orla) who had been dumped. Twice (Awwww, poor Orla).
The most recent was by someone called Ryan, who got roundly booed. If you’re reading Ryan, BOOOOOOOOOOOO!!!!!!!!
The encore include Charlemagne, the winner of Best Song Of 2015, still sounding good in 2017.
Leaving the stage, the band stated they hoped to see Belfast again soon. Knowing the way the music industry works, hopefully a Belsonic announcement is being embargoed until the Irish tour is over.
There’s still a long way to go to match the success of fellow Stockportonians 10CC. To paraphrase one of 10CCs biggest hits, Belfast didn’t like Blossoms. They loved them.
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