MAGAZINE ARCHIVE : MELODY MAKER – 16.2.2000

Fran Healy of Travis is the cover star of this week’s edition of Melody Maker, as the band look to make it big in America.

As you open the magazine, Nina Persson poses for a photoshoot with Vic and Bob, after she recorded the theme tune to Randall and Hopkirk (Deceased) that they are starring in.

Oasis are on a media blitz to promote their new album, with Liam Gallagher appearing as a guest in The Big Breakfast.

The Brit Award nominations are announced, with Ian Brown, Travis and Stereophonics speaking to Melody Maker about their nominations.

Matt Bellamy gets asked about the Brit Awards, describing them as “so much bullshit”.

Mansun get asked to choose their favourite music videos of all time, choosing ones by David Bowie, Nirvana and Blondie.

Travis attempts to crack America get four pages of coverage.

On the other side of the world, Melody Maker covers Big Day Out in Australia, where Foo Fighters, Primal Scream and Blink 182 were among the performers.

Concert Reviews went on the road this week, with Muse in Munich getting five stars, compared with Stereophonics getting two and a half stars for their Toronto gig.

Tim Burgess is the subject of a Q and A, where he reveals he looks into a mirror a lot of times a day.

In lyrics, the lyrics to Oasis new single Go Let It Out get dissected.

MAGAZINE ARCHIVE : KERRANG – 22.6.2002

Matt Bellamy of Muse is the cover star of this edition of Kerrang, which promises to reveal his dark side.

In news, Joey Jordison of Slipknot is unmasked, as he reveals his sideband Murderdolls.

Kerrang looks at the best of the web, and with the World Cup ongoing, lists a website dedicated to ugly footballers as their website of the week.

Cover star Bellamy gets five pages, revealing that he brought ouija boards into school as a ten year old.

There is a look at actors trying to be rock stars, as Jack Black and Jared Leto have gone into the recording studio with their respective bands.

Barney Greenway of Napalm Death shows Kerrang around his house, including a poster of Aston Villa’s 1996 League Cup winning team, and a Villa mug he has had for 12 years.

In album reviews, Dreamland by Robert Plant gets 3 out of 5.

In boxsets, both Buffy and spin-off show Angel both get 4 out of 5.

In upcoming concerts, Queens Of The Stone Age were gig of the week, while Red Hot Chili Peppers and The Vines were recommended.

The magazine ends with an advert for the following week’s edition of Kerrang, which offers free stickers.

MUSE – LIVE AT THE ODYSSEY 6.4.2016

I’ve always loved Muse, going back to their debut album and the single Muscle Museum, which managed to rhyme “Toilet” and “Spoil It” and have enjoyed how big they’ve become over the following 16 years. Finally, I got to see them in concert.

I had hoped it would be last year, when Matt Bellamy teased a surprise concert on Twitter, before an Ulster Hall concert was announced at four days notice. Sadly, it sold out before I was able to get a ticket.

Ulster Hall is a bit of a downgrade for Muse, they’ve been Odyssey sized for a while, playing there in 2006 but not since.

As well as being the city that kicked off the Drones tour in March 2015, Belfast holds a special place for Matt Bellamy as his mum was born there.

Eventually, they appeared on stage, jumping straight into Psycho.

Like with most Muse songs it had thunderous drums and piercing guitars.

Naturally, there was guitar solos and over the top ridiculousness aplenty. Muse have never shied away from that or taken themselves too seriously to care how they look.

Such is the ridiculousness, you could make band names from song and album titles such as Supermassive Black Hole, Knights Of Cydonia, Neutron Star collision, or Origin Of Symmetry.

You can’t have Madness as they pre-dated the Muse song by 33 years.

The stage was mostly in the round, with multiple mic stands for Matt Bellamy to use as he pleased, as well as a catwalk at both ends for him to walk along.

Bellamy was either right beside you or at the other end of the arena. There was enough of him to go about, as he regularly changed ends between songs.

The bit of the stage that was in the round even spun around when the band were performing on it.

Chris Wolstenholme wasn’t afraid to join in the ridiculousness, having a glow in the dark Bass and changing them between songs, having one in White, Blue, Red and Green.

Muse are at the stage where they could wheel out a Greatest Hits set, bashing them out one after each other. Those who were there for hits weren’t to be disappointed with Uprising, Resistance, Plug In Baby, Dead Inside, Madness, Starlight, Supermassive Black Hole and Undisclosed Desires all on the setlist, with Mercy and Knights of Cydonia performed during the encore.

The biggest reaction came during Starlight with fans clapping along to the drumbeat and singing the piano bit during the intro.

Fans were treated to large balloons filled with confetti being dropped from the sky, as well as ticker tape covering the arena later in the show,

I would have loved to have seen two of my personal favourites, Panic Station and Neutron Star Collision performed, but it was still a strong setlist.

During the show, Matt Bellamy said “We haven’t played this building for ten years, it won’t be so long until the next time”

As the band left the stage, the concert ending with a guitar solo v drum solo shoot-out between Matt Bellamy and Dom Howard, drummer Dom Howard said they won’t leave it ten years before their next Belfast show.

Belfast folk will be holding Muse to that promise between now and 2026, just as we’re constantly reminding Foo Fighters and Bon Jovi of those Belfast gigs they’ve promised.

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