MAGAZINE ARCHIVE : Q – FEBRUARY 1993

A shirtless Brett Anderson is the cover star of Q in early 1993, accompanied by the headline “The band of 1993”

Oliver Reed feels the wrath of Q’s “Who The Hell Does …..” column a few pages in.

In news, Later With Jools Holland has got a new series and an earlier timeslot, now going out at 10pm on a Friday. Nicky Wire got into trouble after yelling “I hope Michael Stipe goes the same way as Freddie Mercury” at a gig, prompting some fans to give him a mouthful after the gig.

Meanwhile, The Edge’s dog ran away from home.

In other news, the tree that Marc Bolan hit when he died has shown signs of decay and might have to be chopped down. Factory records has collapsed under £2m of debt

The Levellers, having had a successful year, are the subject of a three page feature.

1992 gets a 12 page review, looking back at the events of the year, a year when U2 and Nirvana went big in different ways.

Shane MacGowan gets a five page interview, which stereotypically takes place in a wine bar.

In adverts, British Waterways are advertising Countryside Holidays, promoting the value of water based activities.

Bryan Ferry is on the comeback trail and doing his first interview in five years, and doesn’t react well to jibes about him being a country gent, saying “I lived in the country for a bit but I was never a fully paid-up Land Rover driver, though I have Wellington boots, both green and black”

Q gives four pages to cover stars Suede, stating that they are doing for Haywards Heath what Paul Weller has done for Woking, describing Suede as “Britain’s sexiest band, bringing back glamour not seen since Roxy Music”, nicely linking in with Bryan Ferry’s interview a few pages earlier.

There is then a double page feature on how the music scene in 1993 resembles the scene in 1973, while jokingly pointing out that some of 1973’s biggest stars are still going strong in terms of album sales in 1993.

In reviews, Ian McShane has brought out an album. Yes, that Ian McShane, Lovejoy. Or Deadwood, if you prefer. Q only gave him one star.

Riding high in the album charts this month were Cher, Erasure, Michael Bolton, Gloria Estefan, Genesis and Simple Minds.

After Neil Young went on the warpath against digital music the previous month, John Bauldie meets musicians who still record using analogue.

MAGAZINE ARCHIVE : VOX – AUGUST 1995

It’s the summer of 1995 and Britpop is on the rise, but it’s an American, Michael Stipe of REM, who is the cover star of this edition of Vox.

In news, Depeche Mode are now down to three members following the departure of Alan Wilder, while Oasis have announced that their second album, “Morning Glory” is finished and ready for release in September, while there were rumours that Paul Weller would join Oasis on stage at Glastonbury.

The Cure announced plans for a new album in February 1996, Nancy Sinatra posed for Playboy at the age of 52, and the BBC were planning six hours of programming to commemorate the 10th anniversary of Live Aid.

Vox looks at the trend of Indie bands becoming pin-ups, and Boybands getting serious, with contributions from PJ Harvey, Holly Johnson, and Martin Carr from Boo Radleys.

Bands tipped for success include Whale, Thurman and Cast.

Armando Ianucci is interviewed, ahead of the launch of his new satire show, Saturday Night Armistice, which is accompanied by a picture of him licking an iron.

Chemical Brothers get a two page interview about heir recent successes, while three pages are dedicated to Oasis singles cover art, with comments and anecdotes from Brian Cannon (Art Director) and Michael Spencer Jones (Photographer)

There’s more Oasis a few pages later, as Paul Slattery, a photographer who accompanied them on tour, shows off his best photos from the year he spent with them.

Therapy? get a four page interview, accompanied with a photo of them dressed as clowns.

The National Lottery has recently been set up, so Vox asks various bands such as Dodgy, Shampoo, Supergrass, Pulp, Sparks and Ned’s Atomic Dustbin what they would do if they won the lottery.

Gene were that months guest reviewers, sticking the boot into Paul Weller’s single “Wings Of Speed”, with Martin Rossiter stating “This is a dreadful ballad. If Mariah Carey sang this, we’d all be slagging it right off”

The Verve are interviewed over two pages in LA, with the introductory line “Can The Verve follow in Oasis footsteps?”

Jim and William Reid from Jesus and Mary Chain are asked about their most hated things, aiming their vitriol at UB40 and Chris De Burgh.

Cover star Michael Stipe is interviewed, speaking about how REM are getting back on track, following Bill Berry’s onstage collapse earlier that year.

Mick Jones of The Clash gets a full page interview of his memories of punk.