A shirtless Brett Anderson is the cover star of Q in early 1993, accompanied by the headline “The band of 1993”

Oliver Reed feels the wrath of Q’s “Who The Hell Does …..” column a few pages in.

In news, Later With Jools Holland has got a new series and an earlier timeslot, now going out at 10pm on a Friday. Nicky Wire got into trouble after yelling “I hope Michael Stipe goes the same way as Freddie Mercury” at a gig, prompting some fans to give him a mouthful after the gig.

Meanwhile, The Edge’s dog ran away from home.

In other news, the tree that Marc Bolan hit when he died has shown signs of decay and might have to be chopped down. Factory records has collapsed under £2m of debt

The Levellers, having had a successful year, are the subject of a three page feature.

1992 gets a 12 page review, looking back at the events of the year, a year when U2 and Nirvana went big in different ways.

Shane MacGowan gets a five page interview, which stereotypically takes place in a wine bar.

In adverts, British Waterways are advertising Countryside Holidays, promoting the value of water based activities.

Bryan Ferry is on the comeback trail and doing his first interview in five years, and doesn’t react well to jibes about him being a country gent, saying “I lived in the country for a bit but I was never a fully paid-up Land Rover driver, though I have Wellington boots, both green and black”

Q gives four pages to cover stars Suede, stating that they are doing for Haywards Heath what Paul Weller has done for Woking, describing Suede as “Britain’s sexiest band, bringing back glamour not seen since Roxy Music”, nicely linking in with Bryan Ferry’s interview a few pages earlier.

There is then a double page feature on how the music scene in 1993 resembles the scene in 1973, while jokingly pointing out that some of 1973’s biggest stars are still going strong in terms of album sales in 1993.

In reviews, Ian McShane has brought out an album. Yes, that Ian McShane, Lovejoy. Or Deadwood, if you prefer. Q only gave him one star.

Riding high in the album charts this month were Cher, Erasure, Michael Bolton, Gloria Estefan, Genesis and Simple Minds.

After Neil Young went on the warpath against digital music the previous month, John Bauldie meets musicians who still record using analogue.


After a four year absence, Manic Street Preachers returned to Belfast for a gig at Ulster Hall, the venue where they played their last Belfast gig in 2009.

They jumped straight into “Motorcycle Emptiness”, with James Dean Bradfield too busy dancing, he forgot to sing the first verse. It didn’t matter, the crowd did that for him.

Both Bradfield and Nicky Wire were dancing while playing their instruments. If there was a competition, i’d say Nicky Wire was the best dancer in the Manics, with James bordering on Dad Dancing at times. Sean Moore didn’t dance, as he was stuck behind his drum kit.

You got the feeling, if the gig lasted for ten more minutes, Sean Moore probably would have started dancing while playing drums.

Despite his dodgy dancing, Bradfield was at home on stage, revelling in the role of frontman.

Inbetween songs, there was small talk, but not the usual concert stuff, as Nicky Wire, wearing sunglasses indoors and with black stars on his face a la Marc Bolan, spoke about their early Belfast gigs in The Limelight, while Bradfield dedicated a song to local(ish) singer Andy Cairns.

Most bizarre anecdote was Nicky recalling their first visit to Belfast, where they were given a guided tour of the city by Johnny Hero, which resulted in Sean going missing, Nicky getting into an arguement, and others being drunk.

For “Your Love Alone Is Not Enough”, James just sang Nina Persson’s parts, which was strange, as they performed “$ Lonely Roads” from their current album with support act Cate Le Bon (no relation to Simon)

You would have thought she could have done Nina Persson’s bit in “Your Love Alone ……”

In the middle, James did a solo acoustic set. He made a mess of “This Sullen Welsh Heart” so made up for it with a version of “Can’t Take My Eyes Off You” by Andy Williams, before performing “The Everlasting”

Due to the 11pm curfew, there was no encore. There didn’t need to be.

The Manics spoke (and later tweeted) about how they loved Belfast, and Belfast, loved them back.

Photo Album

Manic Street Preachers Live At Ulster Hall 2009

Manic Street Preachers Live At Ulster Hall 2009 Photo Album


Dolores O’Riodan is the cover star as Vox celebrates it’s 50th edition.

The main features, however, were of Blur and REM. Guitarist Peter Buck comments “I Shudder to think that I might be playing in stadiums when i’m 51, like the Stones”

When Peter Buck was 51 (2007), REM were still doing stadium gigs.

This month saw the launch of a column where musicians guest review singles. The honour of the very first one went to Andy Cairns, frontman of Therapy?

To celebrate the 50th edition, Vox asked 90s popstars for their review of the 90s so far, and what they thought would be on the cover of Vox in 2000 (Vox was actually wound up before then)

Noel Gallagher’s 2000 front cover is “OASIS – WHERE ARE THEY NOW?” – the answer would be, releasing their 4th album, while his hopes for the rest of the 90s would be for a second Stone Roses album, Man City to win a trophy and The Verve to do a gig on the moon.

Only one of those events happened, and it was the most far fetched suggestion, Stone Roses releasing a second album.

The Grid, a side project of Soft Cell’s David Ball list Bryan Adams being number one as the worst global event of the 90s, while suggesting that Oasis will be on the cover of Vox in 2000, as “We’ll all be having a 90s revival by then”

Nicky Wire’s Vox cover reply is “Hopefully Vox won’t exist by then” – His hope was correct.