THE FRIDAY FIVE – 9.2.2018

1. Kylie Minogue – Dancing
2. Ash – Buzzkill
3. Desperate Journalist – It Gets Better
4. Shed Seven – The Heroes
5. Cast – Flying

Didn’t get tickets for U2 last week, so going to try again this morning. Wish me luck.

Forgot to mention, Madness are playing Galway International Arts Festival. Always been looking for an excuse to visit Galway.

Some new additions to the Biggest Weekend line-up this week. Going to try and get tickets for both days.


1. The Breeders – Cannonball
2. Beck – Blue Moon
3. Manic Street Preachers – Motorcycle Emptiness
4. Ash – Oh Yeah
5. Franz Ferdinand – Do You Want To?

Next Wednesday is Valentine’s Day, so if you’re feeling all loved up, here’s a chart for you.


1. Bananarama – Love In The First Degree
2. Erasure – I Love To Hate You
3. Oasis – She Is Love
4. The Feeling – Love It When You Call
5. Lulu – Love Loves to Love



Liam and Noel Gallagher, on stage in Dublin, are the cover stars of this week’s edition of Melody Maker, because they are definitely not splitting up, after some recent difficulties.

Melody Maker looks at the safety of music festivals in the UK, after a fatal crush at Roskilde Festival in Denmark, which resulted in the deaths of nine people.

In the aftermath of this, both Oasis and Pet Shop Boys cancelled their proposed appearances at the festival.

Coldplay have just released their debut album, telling Melody Maker they “want to win the world over”.

Mansun have unveiled their new single I Can Only Disappoint U at a fan convention, with fans canvassed for opinion, giving it the thumbs up.

Patrick Kielty gets interviewed, and says he has a “very Catholic taste in music” when asked what is on his stereo.

Following on from the safety of music festivals, Melody Maker spends two pages looking at stage diving, wether it is dangerous or just harmless fun.

Oasis concert at Lansdowne Road gets three pages of coverage, Noel Gallagher’s first since walking out on the band a few weeks earlier.

Elsewhere, there were eight pages dedicated to T In The Park.

In reviews, Clint Boon gives his Single Of The Week award to Elbow.

Ozzy Osbourne is the subject of a Q and A, revealing he looks at himself in the mirror 40 to 50 times a day.


After a five year absence, Elastica are back with a new album, and take their place on the cover of Melody Maker.

In news, it’s all about Oasis, as Melody Maker canvasses fans on their US tour, supported by Travis. Oasis Spokesperson has denied that the band are splitting up, while Limp Bizkit claimed Oasis had them demoted on the Reading and Leeds bill.

Noel Gallagher hit back by wondering if Korn or Limp Bizkit will still be around in 2004.

Alex James of Blur gets interviewed as he launches his side project Fat Les, while revealing that he supports both Bournemouth and Arsenal.

In competitions, you could win a Manic Street Preachers video, Kevin and Perry merchandise, and a monkey suit as worn by Bloodhound Gang.

Elastica get a four page feature, as Melody Maker joins them on tour in Manchester and Leeds.

My Vitriol get a full page feature as they are described as one of Britain’s most exciting new bands, as does Elliott Smith as he prepares to release his new album, Figure Eight.

Fred Durst of Limp Bizkit gets interviewed, where he describes being a Rock Star as “fucking awesome”.

Live Reviews focus on Gomez in Manchester, with the general consensus being positive.

Also reviewed are Korn, Puff Daddy, Black Box Recorder and L7.

Chris Moyles and Comedy Dave from Radio 1 are doing singles reviews, with single of the week being Idiot Radar with Lowfinger.

There is a full page feature on Embrace, as they go through the process of recording their album Drawn From Memory.

The magazine ends with a short Q and A with Jimmy Pop from Bloodhound Gang.


Fran Healy of Travis is the cover star of this week’s edition of Melody Maker, as the band look to make it big in America.

As you open the magazine, Nina Persson poses for a photoshoot with Vic and Bob, after she recorded the theme tune to Randall and Hopkirk (Deceased) that they are starring in.

Oasis are on a media blitz to promote their new album, with Liam Gallagher appearing as a guest in The Big Breakfast.

The Brit Award nominations are announced, with Ian Brown, Travis and Stereophonics speaking to Melody Maker about their nominations.

Matt Bellamy gets asked about the Brit Awards, describing them as “so much bullshit”.

Mansun get asked to choose their favourite music videos of all time, choosing ones by David Bowie, Nirvana and Blondie.

Travis attempts to crack America get four pages of coverage.

On the other side of the world, Melody Maker covers Big Day Out in Australia, where Foo Fighters, Primal Scream and Blink 182 were among the performers.

Concert Reviews went on the road this week, with Muse in Munich getting five stars, compared with Stereophonics getting two and a half stars for their Toronto gig.

Tim Burgess is the subject of a Q and A, where he reveals he looks into a mirror a lot of times a day.

In lyrics, the lyrics to Oasis new single Go Let It Out get dissected.

THE FRIDAY FIVE – 17.11.2017

1. The Killers – Run For Cover
2. Arcade Fire – Creature Comfort
3. Noel Gallagher’s High Flying Birds – Fort Knox
4. Roy Orbison and Royal Philharmonic Orchestra – I Drove All Night
5. Yazoo – Only You (2017 Version)

This Sunday is International Men’s Day. So, prepare yourself for some manly charts. Grrrr!!!

If you’re celebrating, enjoy yourself. That’s cool. If it’s just another day to you, enjoy yourself. That’s cool.

Just don’t be a self hating dick about it. Seriously, nobody wants to hear an attention seeker desperate for attention by sticking the boot into people to show how wonderful they are to people who hate them.


1. Prince – Gold
2. John Parr – St Elmo’s Fire
3. Peter Gabriel – Big Time
4. Holly Johnson – Love Train
5. Seal – Kiss From A Rose


1. Oasis – Little James
2. Bat For Lashes – Daniel
3. REM – What’s The Frequency Kenneth?
4. Joshua Kaddison – Jesse
5. Rednex – Cotton Eye Joe


1. Michael Jackson – Man In The Mirror
2. Hall and Oates – Family Man
3. Human League – One Man In My Heart
4. The Verve – Lucky Man
5. David Bowie – The Man Who Sold The World


Nina Persson of The Cardigans, or Nina Cardigan as she has been dubbed, is the cover star of this week’s edition of Melody Maker, having been dubbed “The Sexiest Woman In Rock”

In other news, Ian Brown has made a comeback gig at Conway Hall in London, performing a cover of Billie Jean by Michael Jackson during the encore.

Oasis and Blur are also in news, with Blur subject to a South Bank Show special, while Oasis have announced Andy Bell of Hurricane #1 as a new member.

Blur were among the winners at the MTV Awards in Dublin, an event which gets covered by Melody Maker.

Skin from Skunk Anansie gets asked about the forthcoming new Oasis album, and she describes herself as being “intersted” in hearing it.

Making a comeback is 1980s TV show The Tube, with Donna Air and Chris Moyles presenting alongside original presenters Jools Holland and Paula Yates.

Mark McKeever won the letter of the week for e-mailing in to complain about how crap the music scene in Belfast is.

Cover star Nina Persson gets a double page interview, stating that the majority of her fans are female.

There are two pages dedicated to 1993, as Melody Maker looks back at the 90s, during the decade’s final days.

Brian Molko gets interviewed as Placebo are busy recording their third album.

Jonathan Davis of Korn talks about his five obsessions, one of which is playing a bagpipe.

In reviews, Melody Maker went to see Eminem, Red Hot Chili Peppers and Badly Drawn Boy in concert, though not at the same time.

Rick Witter of Shed Seven is subject to a Q and A, revealing that he would watch a public execution if it was broadcast on TV.

If you wanted, there was a lyrics sheet for So Low, Ocean Colour Scene’s new single.

In gigs, James (with support from Cast), Ian Brown and Shed Seven were going on tour in the coming weeks.


You could say that the date and venue was apt. The Odyssey, 30th October. It was on that date in 2008 that Oasis played their last concert in Belfast. Nine years to the day, Liam Gallagher was back at The Odyssey.

He has been in Belfast in the time inbetween, playing there twice with Beady Eye in 2011, at Ulster Hall in April of that year and then at Custom House Square for Belsonic later that year.

Having already been announced for a festival on the Sunday night in Dublin (It’s a Bank Holiday Weekend in the Republic Of Ireland, in case you’re wondering) there was the hope that he might pop by in Belfast, especially as we missed out on his mini tour in June.

Our prayers were answered, with a Belfast gig to kick off his Winter Tour being announced.

It was originally in the venue where Beady Eye played their only indoor show in Belfast, Ulster Hall, but such was the demand, that was instantly upgraded to The Odyssey.

Before he was The King Of Twitter, Liam Gallagher was a Rock N Roll Star. On the evidence of Monday night at The Odyssey, that is still very much the case.

As he entered the stage with the classic Oasis walk-on of Fuckin In the Bushes blasting out, those were the words he uttered.

He could have been describing himself, but he was introducing the first song, Rock N Roll Star, track 1 on Definitely Maybe, a call to arms and statement of intent.

This was then followed by Morning Glory, the title track from Oasis second album. If you thought this was going to be a chronological look at Gallagher’s career, you would be wrong, we would be returning to Definitely Maybe throughout the night.

The first two songs were reminding us of who Liam Gallagher was, the next few songs were now looking at who he is now, dipping into his debut solo album, As You Were, named after his Twitter catchphrase.

The album stands up on it’s own merits. It’s decent. There are some A* songs on it and a few As. I reviewed it on Twitter. You can find it here.

And yes, i’ll be doing the same when Who Stole The Moon? comes through my letterbox later this month.

Gallagher was playing to a crowd that was well warmed up by the support acts.

First up, was Kyle Falconer, formerly of The View, now solo. His material sounded a lot like The View. If you like The View, as I do, then you’ll like it.

After him, was The Strypes. I’d previously seem them supporting Blur in 2013. I know, crossing the divide. If you love The Jam, you’ll love these guys. They are very good.

If you watch The Championship on Channel Five, you will recognise Get Into It, voted by this blog as the 2nd Best Song Of 2015. There’s no higher honour than that.

I was amused to see the singer in a smart suit and the rest of the band in jeans and trainers, it reminded me of a recent Top Of The Pops repeat on BBC Four where Bryan Ferry was wearing a tuxedo and the rest of Roxy Music were dressed like The Smiths.

I’m sure there were quite a lot of people in the crowd checking, double checking and triple checking their ticket to make sure they brought the right one.

There was bound to be someone who tried to get in with a ticket to Noel Gallagher’s High Flying Birds for May 2018.

Both Gallaghers will be on tour throughout 2018, so if you’re dreaming of you know what, it will have to wait until 2019, 25 years on from Definitely Maybe and 10 years on from their split. Got to love nice round numbers.

The set was then to be dominated by songs from As You Were, with Greedy Soul, a bit of a grower, being up first, followed by debut solo single Wall Of Glass.

Up next was For What It’s Worth, a Beatlesesque ballad that stands up to any Oasis classic, sounding even better live than it does on record.

This was followed by Bold, a song debuted at festivals this summer, it sounded fantastic and was worth the wait to hear it on record, venturing into 80s Power Ballard territory as Liam sings “Lay it on me” over and over accompanied only by a pounding drumbeat.

Oasis fans love to psychoanalyse, and the line “There’s no love worth chasing yesterday” will have raised a few eyebrows considering that Noel Gallagher’s second album is called Chasing Yesterday.

Chinatown is one of my favourite songs from As You Were but it wasn’t played. Not that surprising as it is hard to see where it would fit in a live set. Fantastic song though.

We then returned to Oasis classics, with Some Might Say, led by a thunderous drum beat.

This might not be the place to mention “The N Word”, but as good as Liam sounded, it did miss Noel’s backing vocals. They are part of the reason why the song is so good.

As well as vocals, Liam was banging his tambourine He even threw on into the crowd. I narrowly missed out on it. If he had just a slight bit more power, it would have landed right into my hands.

Considering the scrum that followed, it was probably a good thing I didn’t catch it.

It wouldn’t be the first time Liam Gallagher caused a bit of bother by throwing something across a room at a concert.

I had a decent view. Then a fight broke out in front of me. While that was being broken up, I snuck into the space that opened up like a deep lying goalscoring midfielder. You snooze, you lose.

Then a moshpit started to my right, so more space opened up in front of me top move forward. Result.

More Oasis classics followed in the shape of Slide Away (Should have been a single) and I’m Outta Time (A forgotten classic) before returning to As You Were with the absolutely superb Come Back To Me.

Eternal crowd favourite Cigarettes and Alcohol was played. That’s what the venue was full of as well, fucking smelly tramps puffing and vaping away.

I really don’t want to add indoor concerts to outdoor concerts, football matches, going for a walk, eating outside on a nice day, going to a beer garden and queuing for a bus to the list of things you can’t do in Belfast without having cigarette smoke blown into your face.

Vapes are supposedly to get people off smoking. Bollocks. Every lunchtime I see the same old sour faces puffing away.

I’m going to raising this until this is addressed as a society and as a city.

Why should I have my enjoyment of events held to ransom by inconsiderate arseholes?

Belfast really is a city full of crayon eaters.

Thankfully, I was surrounded by women doused in weapons grade perfume which drowned out the smell.

To give an indication of where vapes stand in society, i’d rather breathe in eggy farts.

European Capital Of Culture my arse. European Capital Of Smelly Tramps more like.

For the encore, we were treated to Supersonic and an acoustic version Live Forever, Liam letting the crowd sing the bits sung by Noel.

As he finished his set, Liam described Belfast as “The bollocks”, telling the crowd that they knew that anyway.

The front page of Tuesday’s edition of Irish News had a photo of him, and a caption that said he sang Wonderwall. He didn’t.

I’m guessing someone wrote a review without being there. You could have guessed he would wheel out big Oasis hits, but Liam Gallagher is anything but predictable.

The only rendition of Wonderwall came in the Car Park as someone blasted it out on their car stereo. It was the only way to kill time in what felt like a never ending queue. It felt like that by the time we were going to get out, we’d be having to about turn to get a parking space for Noel’s concert in May 2018.

Liam tweeted that there are many things he would like to say to Belfast but he didn’t know how.

He could say he is coming back.

Oh wait, he is.

On the Friday before, it was already announced that he would be returning to Belfast in June 2018 to play at Ormeau Park at Belsonic.

Liam Gallagher. Belsonic. Saturday night. It’s a potent combination. There’s going to be a lot of whoppers at it. It’s something we have to put up with unfortunately.

Just imagine if Northern Ireland qualify for the World Cup and are playing their opening group match that day. That will be fun.

Live Forever was the last song, the lights came on and Sid Vicious version of My Way.

Hopefully, the end is near and Liam Gallagher’s career isn’t heading to the final curtain.

It certainly was an apt way to end, Liam Gallagher does it his way.

Photo Album

Oasis live at The Odyssey October 2008 Photo Album


Liam Gallagher is the cover star of this edition of Melody Maker, as Oasis face what is described as a “Do or die” period for their career in America.

Noel Gallagher is fuming with his brother Liam for going on a “lost weekend” with Huey from Fun Lovin Criminals.

Mark Williams of The Fast Show is interviewed ahead of the release of Fast Football, a spin-off video starring Ron Manager, revealing himself to be a season ticket holder at Brighton.

There is also an interview with Charlotte Hatherley of Ash, taking up three pages.

Discussing their obsessions this week was Roddy Woomble from Idlewild.

Oasis are on tour in America, showcasing their new line-up in Philadelphia.

In posters, you could get one of Rick Witter dressed up as John Travolta in Saturday Night Fever.

Stereophonics gig in Glasgow gets reviewed, only getting one and a half stars out of five.

Nine Inch Nails gig in London got four and a half stars out of five.

Fun Lovin Criminals give their single of the week award to Baby It’s Cold Outside by Tom Jones and Cherys Matthews.

Shirley Manson of Garbage is the subject of a Q and A, revealing that she has a fear of exams.


Vic and Bob are joined on the cover stars of Melody Maker as she sings the theme tune to their new TV series, Randall and Hopkirk (Deceased)

Belle and Sebastian give Melody Maker a run through of their new album, while Oasis are set to miss out on a Number 1 with their new single, while American fans have been e-mailing Melody Maker with their views on the band’s US tour.

Also on tour in America is Primal Scream.

Cover stars Bob, Nina and Vic get four pages, with Bob commenting that they know how to handle Swedish women before, having worked previously with Ulrika Jonsson.

In live reviews, Melody Maker ventured out to see Elastica and JJ72 in concert.

Meanwhile, Paul Draper of Mansun is the subject of a Q and A, where he reveals he once bought a copy of FHM.


It’s a special James Bond edition of Melody Maker, as Huey from Fun Lovin Criminals and Shirley Manson from Garbage cosplaying on the cover.

In news, Feeder play their biggest ever indoor concert, supporting Red Hot Chilli Peppers at Wembley Arena.

Elswhere, Oasis are filming a new video, with Gem Archer, formerly of Heavy Stereo, now confirmed as a member of the band.

Bobby Gillespie talks about Primal Scream’s new album, describing it as both a Punk record and a Dance record.

Gillespie is one of a series of musicians from both countries commenting on the forthcoming England v Scotland Euro 2000 Play-Off, stating that he doesn’t give a fuck.

Cover stars Huey and Manson relive their favourite Bond memories, with Garbage having done the soundtrack.

Eminem is interviewed, denying that he glorifies violence.

In reviews, Melody Maker pays a visit to see Suede in concert in Reading.

Paul Draper of Mansun is the subject of a Q and A, where he reveals he once shoplifted from Boots in Chester.