Playing at, in their words, a “Special place” to them, Razorlight made a welcome return to Belfast with a gig at The Limelight.
I’d previously seen them before, but it was a while ago. It was so long ago, it was when Tennent’s Vital was at Ormeau Park, as they appeared alongside Manic Street Preachers in 2007.
Back then, they were riding high following the success of their self titled second album, with massive hits such as In The Morning, America, Before I Fall To Pieces and I Can’t Stop This Feeling I’ve Got. The second of that quartet, America, provided the band with their first, and so far only Number 1 single in the UK.
It was two years before, that I got into Razorlight. There was someone I worked with who was obsessed with them, and especially Golden Touch.
I didn’t really need to be persuaded, it’s a fantastic tune, as well as other singles from their debut album such as Rip It Up amd Somewhere Else.
Sticking to the industry standard of a new album every two years, they released their third album in 2008, Slipway Fires, with the lead single Wire To Wire, being a, um, slow burner, a grower of a song, but still well worth a listen. Despite that, it would be the only major single release from that album.
So, 2010 comes along, and we await Razorlight album number four. Then 2011, then 2012, then we just forgot about them, the band going on haitus until album number four, Olympus Sleeping, arrived in 2018.
All the hits that were mentioned were unsurprisingly played, as was the underrated Who Needs Love?, which was only an album track on their second album. If they released it as a single, it surely would have been a massive hit.
The band were on stage at around 8.15pm and off by around 9.30pm. Not going to lie, i’m a big fan of The Limelight’s early starts and finishes.
There, I said it, 00s nostalgia and sensible bedtimes.
Razorlight crammed as much as they could into their stage time, it was all killer and no filler, but no actual covers of songs by The Killers.
By this point, Johnny Borrell was very sweaty, and channelling his inner Mick Jagger when allowed to strut on stage without a guitar. The boy can’t help it, it’s not his fault, just a dangerous dangerous age.
Unsurprisingly, their biggest hit, America, was saved for the encore.
It’s a song that sounds best in the Winter months, the soundtrack to the end of 2006 for me, and a hug in musical form, that last line doesn’t sound weird in any way.
The sentiment, wasn’t that friendly, as Borrell made a dedication before the song, declaring “Fuck you” to Donald Trump and Fox News.
You could say the lyrics of the song are prophetic, but then again, all my life, panic in America.